Approximately 86 % of all the information kept in our memory is obtained through the visual channel - the sight. This is why in the importance of senses the sight is on the top of the hierarchy leader, far from all other senses. The success of the cinema, television, computers (windows) lies in this fact.
In everyday communication we use all our senses. The sense of hearing, which enables us the contact with the sound or with the human immanence - the music, is leaning towards the sight because of the phylogenetic changes, in the sense of priorities. The hearing has been pushed into the second place. This phenomenon is constantly present and we are dealing with it in a different way depending on the situation. In order to increase the effect of the sonic information we have been using a suitable visual/picture "supplements" for some time now, known to us as audio-visual learning / the multimedia or similar. The transition from the horizontal into the visual code is a characteristic of the current time and we come across it at each step.
So, when listening to the music, a legitimate question of a simultaneity of visual contents which accompanies the music is raise, that is: is the content of the nature/programme/story or the performing artists with its surrounding, a suitable visual supplement for a dynamic sound structure of a music piece? The answer is no! We are talking about music, which in itself is not a natural phenomena, it is one of the top-most human immanence expressed in abstract form. This is why the already mentioned natural visual "supplements" on the level of the main human sense/the sight, are to often unsuitable, trivial, misleading and damaging to the music.
Visualisation of a sound event, the Pat. No. 9600376, enables a visual upgrade of the music in a sense of a more appropriate audiovisual simultaneity of which in the past many people only had inkling. (V. Kandinski, A. Skrjabin, W. Ruttmann, L. Sturzwagen.../the Abstract Film-Music/). The ability to film the music has been thus achieved without in any way decreasing its immanence. A passage has been reached, similarly as it has happened with the silence or the black and white movie. A separation between the meaning, contained in the immanence of the music, and the hegemony of a multy-layer meaning of symbols/programmes on the visual level. That is, a demarcation between the motive and the content, that is what the music is supposed to be, and of that which it surely is not. Finally, this is a change of perception of sound/music, appropriate not only for the time we live in but also appropriate to our physiological properties.

OFFER

This offer includes numerous possible users who can ad to their existing programmes such as TV stations (MUSIC-FILM), publishing houses (DVD), hotels, spas/hospitals (MUSIC/CROMO/VIBRATION - THERAPY/antystres program…), schools and many others. The INTERACTVIE MUSIC is available on SVHS, BETA or DVD-R format.

Your new phonograms (CD), or those covered with dust and forgotten, with settled questions about royalties - for the market, can be once again made into music and revived in the modern DVD technology. In this way we will bring back to your musical clients the HIDDEN in a new, fascinating interactive image.

ENGINEERING / CONSULTING
HARMONIZATION OF NEW AND EXISTING ROOMS THROUGH VISUAL EFFECTS - MATCHING OF COLOUR AND FORM THROUGH THE PREVAILING OR PROGRAMMED SOUNDS (MUSIC);relax room, recreation room, entertainment room, public premises, different lobbies and other places.